Showing posts with label Cynthia Basset. Show all posts
Showing posts with label Cynthia Basset. Show all posts
Tuesday, May 14, 2013
Thomas Riley 2nd Edition OUT NOW!
I'm super proud to announce that the reissue of my first Steampunk adventure novel, Thomas Riley, is out today on ZOVA Books!
So you may be asking yourself, what do I get out of the reissue? What's so special about the second edition?
Well, the first edition is all but gone. I have a few copies in my stash but that's all that exist. So if you haven't read it yet, well, that's pretty much the only way you're going to get it. The cool parts of the second edition is that the entire book has been re-edited and looks quite different than the original. The second edition also has a revamped cover, sure the art is primarily the same but now it has different lettering, and a nifty back cover. In my opinion, the coolest part of the reissue is that there's an extra chapter at the end, which also happens to be the first chapter of the second book, Thomas Riley and The Maelstrom, which isn't due out until June 25. So, I'll promise this much, you're going to get several answers to some burning questions that book 1 left hanging... hey, and you get a sweet teaser for book number 2. Depending on you're reading speed, you might just wrap up book one by the time the second one comes out.
How do you get your hands on a copy? I've got ya covered.
Amazon Paperback
Kindle
Nook
Barnes & Noble Paperback
Wednesday, April 17, 2013
Thomas Riley and the Maelstrom 3D cover
I'm super excited to see the Thomas Riley books with 3D covers. After all this time, it really gives a neat view of what the book will look like. I have to say, I love what I'm seeing. The details that Zova Books gave the spine and typography is really cool. I really like the addition of the book number on the spine. There's nothing quite like opening the box with your books in them, holding your print book in your hand for the first time, and reading through your own copy.
Also, both books are featured on the top of Zova Books website. Check it out here.
Here are the 3D covers for Thomas Riley and the Maelstrom and the reissue of Thomas Riley (1).
Also, both books are featured on the top of Zova Books website. Check it out here.
Here are the 3D covers for Thomas Riley and the Maelstrom and the reissue of Thomas Riley (1).
Thursday, August 30, 2012
I was skeptical to join yet another social media/whatever you want to call it site as there's a million of them but Pinterest seemed nifty for some reason even though I had no idea what it was. I understood that you could "pin" photos and whatnot from the web and organize them into categories but couldn't you just do that on facebook?
Well, yeah you can but this is a little different. I asked around I've me insight on Pinterest and I got from some authors that the site was good for organizing inspirational pics for your books... That's good enough for me. I jumped into it, searching the web for anything that I could use as inspiration and low and behold, I started to like it! ow my Pinterest page has pics from my life, pics that inspire me for Thomas Riley 3, Jet Black and Tribes... So, if you look, you can get a secret glimpse into what might be coming next book wise. (The picture above serves as inspiration for the opening scene of Thomas Riley 3... This is the new Cynthia Basset) With any site like this, it's always a work in progress and I'll be adding things all the time.
So if you have a Pinterest account or just want to check out my pics and inspiration, check out my page here.
Friday, April 17, 2009
The Creation of Thomas Riley
As you know, all the artwork for Thomas Riley was done by Will Routon. He has done some really awesome work for me in the past for Fallon,(which I will blog about in the future)and again he knocks it out of the park with his concepts, imagination and pure freaking skill.
Another cool feature Will brings to the table (no he is not an action figure) is that he can visualize from written descriptions. Every time he does work, I send him a character description and we talk a little (usually over some sushi & sake.)about what I am looking for. What happens next is Will uses his secret power where he can actually crawl into my mind and see exactly what I am thinking. Every character or scene he has drawn has come back as a freakishly identical model of how I envisioned the characters.
I am going to show you the process, well, because it is really cool!
Part 1
First off, Will made a show piece from my character descriptions. Here, he jumped right into the genre with a daguerreotype portrait. It looks like he did this with a pen...

Part 2
After making sure he had nailed the characters down (and indeed he did), Will moved on to an actual scene which we had discussed. I wanted it to have a movie poster style. Here is one of his first sketches.

Part 3
The Next Step was adding texture, light and details to the sketch. You can see the characters and derigibles take shape. He also removed the robot which he just thought was cool but unfortuneatley was not in the story. I think the expressions also are a wonderul indication of their personality. Even in the first show piece, you can get an idea of what Thomas and Cynthia are like.

Part 4
Then out of nowhere, Will brings the illustration to a new level, adding a lot more lighting effects, clouds, depth and balance to the composition. Notice that he armored and modified the derigible which is how they are in the novel. Again he must have gotten into my head, becasue I don't recall telling him that. I was giddy when I received the first sketch, by now I was beside myself with excitement.

Part 5
Finally, Will litterally goes above and beyond. He puts more depth in the clouds, gives Thomas and Cynthia belts, armlets, and gadgets as well as frontal cannons on the derigible. I still marvel over the lighting in Cynthia's hair and the filigree details in her corset and sleeves. Go on, look closely. There are 100 details which I personally see more and more of each time I look at this. Notice the relfection in the goggles, and the tear drop shaped windows. The list could go on and on. At this point, the illustration looks more like a photo than it does a cartoon.

Fin
Keep in mind this didn't happen overnight. This took a little over two months as Will spent countless hours on this piece. There were about 12 other reenditions of this with tweaks and little changes that I opted not to show you because I am pretty sure you got the point. I hope you enjoyed this little walk through of what it took to make the cover for Thomas Riley. The best part about it is that instantly the reader knows what to expect from the story without reading a single page. I wish Will had a website so I could link you to him, but he doesn't. He is a true artist that does what he loves while avoiding a lot of internet presence. Then again, judge for yourself. With this kind of talent, does he really need a web site?
Another cool feature Will brings to the table (no he is not an action figure) is that he can visualize from written descriptions. Every time he does work, I send him a character description and we talk a little (usually over some sushi & sake.)about what I am looking for. What happens next is Will uses his secret power where he can actually crawl into my mind and see exactly what I am thinking. Every character or scene he has drawn has come back as a freakishly identical model of how I envisioned the characters.
I am going to show you the process, well, because it is really cool!
Part 1
First off, Will made a show piece from my character descriptions. Here, he jumped right into the genre with a daguerreotype portrait. It looks like he did this with a pen...

Part 2
After making sure he had nailed the characters down (and indeed he did), Will moved on to an actual scene which we had discussed. I wanted it to have a movie poster style. Here is one of his first sketches.

Part 3
The Next Step was adding texture, light and details to the sketch. You can see the characters and derigibles take shape. He also removed the robot which he just thought was cool but unfortuneatley was not in the story. I think the expressions also are a wonderul indication of their personality. Even in the first show piece, you can get an idea of what Thomas and Cynthia are like.

Part 4
Then out of nowhere, Will brings the illustration to a new level, adding a lot more lighting effects, clouds, depth and balance to the composition. Notice that he armored and modified the derigible which is how they are in the novel. Again he must have gotten into my head, becasue I don't recall telling him that. I was giddy when I received the first sketch, by now I was beside myself with excitement.

Part 5
Finally, Will litterally goes above and beyond. He puts more depth in the clouds, gives Thomas and Cynthia belts, armlets, and gadgets as well as frontal cannons on the derigible. I still marvel over the lighting in Cynthia's hair and the filigree details in her corset and sleeves. Go on, look closely. There are 100 details which I personally see more and more of each time I look at this. Notice the relfection in the goggles, and the tear drop shaped windows. The list could go on and on. At this point, the illustration looks more like a photo than it does a cartoon.

Fin
Keep in mind this didn't happen overnight. This took a little over two months as Will spent countless hours on this piece. There were about 12 other reenditions of this with tweaks and little changes that I opted not to show you because I am pretty sure you got the point. I hope you enjoyed this little walk through of what it took to make the cover for Thomas Riley. The best part about it is that instantly the reader knows what to expect from the story without reading a single page. I wish Will had a website so I could link you to him, but he doesn't. He is a true artist that does what he loves while avoiding a lot of internet presence. Then again, judge for yourself. With this kind of talent, does he really need a web site?
Labels:
Cynthia Basset,
Steampunk,
Steampunk art,
Thomas Riley,
Will Routon
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